Tuesday, July 30, 2013

Daytrippers, Guadaloupe and the History of Greenwich Village

Been reading a lot this summer but trying to focus as much as possible on reading during this quiet time because, as past years suggest, I will have limited time once fall is here. So not writing here or doing much else this time of year.

Some books I've had on my summer reading list but haven't managed to get to yet include:

The Village: 400 Years of Beats and Bohemians. Since we made it to New York a couple of weeks ago, I've been intrigued by the idea of a book telling the history of one neighborhood, Greenwich Village.

Miguel Marmol:  simply because I've not read anything by a Salvadorean author before and this "Latin American classic" seems like it could be interesting.

The Bridge of Beyond: I love Guadaloupe. Maryse Conde was our grand prize winner a number of years back and since I've read a couple of her works, I've been waiting for another book from the island to fall into my lap. So I'm excited about this upcoming publication. Plus anything by NYRB is going to be cool...

So far the highlight of my summer reading has been Daytripper, a graphic novel by two Brazilian artists (brothers, no less), Fabio Moon and Gabriel Ba. The book is a revelation: funny, serious, moving, beautifully drawn and terribly entertaining. It tells the life story of a Brazilian writer as he imagines different deaths for himself, considering his complex relationship with his father, his mother, and his best friend. It's really a lovely story and I can't recommend it highly enough...

Hope everyone's summer is moving along without incident!

Thursday, July 11, 2013

Henry James feels too heavy for summer

So we're off to NYC for several days next weekend and, as I am often wont to do before I travel to New York (or just about anywhere, in fact), I want to read fiction set there. I picked up this excellent edition (with an introduction by 2013 Blue Met Grand Prize winner, Colm Tóibín, no less!) of The New York Stories of Henry James. It's been slow-going.

I'm a fan of Henry James but, first, it's hard to read such dense and heavy text on a hot summer day when people are riding by my balcony on bicycles and dogs are barking in the sunshine. It feels too weighty, requires too much concentration. I read the first three stories with some effort but after finishing the third one, I just couldn't bring myself to continue. At least not for now.

Why does Henry James feel like a cold autumn afternoon writer? Or a stay-in-bed-and-drink-hot-chocolate-while-it-snows writer?

The other reason I couldn't make it work this week is that though the stories are all connected to (not all set there) New York, Henry James is not the kind of writer that revels in space. No long passages about taking the train or sitting in a park people-watching (or at least not in the three stories I read). You get no sense of life in New York (not "common life" at any rate) from reading the stories. Henry James' interests lie inside: in the psychology of human interactions, motivations, fears, secrets. That's fine but because of that fact, I think, the "New York" side of this collection feel rather arbitrary and Tóibín's contextualizing James within the New York of his day is about the only time in the collection where New York really features as part of the stories.

I should dig out my old copy of Theodore Dreiser's Sister Carrie, a real New York kind of novel...